Your excellent concept of ‘temporal expressionism’ has a very great affinity with what Pasolini proposed in his 1965 ‘cinema of poetry’ texts: the ‘free indirect subjective’. It’s the gift that, in cinema, keeps on giving! Lynne Ramsay’s work, for instance ...
Your excellent concept of ‘temporal expressionism’ has a very great affinity with what Pasolini proposed in his 1965 ‘cinema of poetry’ texts: the ‘free indirect subjective’. It’s the gift that, in cinema, keeps on giving! Lynne Ramsay’s work, for instance ...
I'll have to read that Pasolini one! Just found it in Movies and Methods. Thank you!